ALEJANDRO ZAERA POLO PDF

Alejandro Zaera-Polo (born October 17th ) is an internationally recognized architect and scholar, and founder of London, Zurich, and. The latest news and projects from Spanish architect Alejandro Zaera-Polo, former dean of Princeton’s School of Architecture. Alejandro Zaera-Polo has filed a lawsuit against Princeton University for libel, after he was asked to step down as head of its architecture.

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I was almost forcing philosophy onto architecture. What would happen if we were able to reduce its emissions by ten percent? That commitment to the next form of architectural knowledge is what an institution like Princeton should be doing now. Prior to this, he served as the Dean of the Berlage Institute in Rotterdam for four years, and the holder of the Berlage Chair at Delft University for 6 years.

From Wikipedia, the free encyclopedia. He has published extensively as a critic in professional magazines worldwide. I think the idea that theory only applies to the history of architecture or philosophical relationships of the discipline is a mistake.

In parallel to his professional activities, Alejandro Zaera-Polo has developed a substantial role within academia.

Zera will be the architectural expression of the culture of the web 2. April Learn how and when to remove this template message. This is a phenomenon that transcends the question of production. In terms of opportunities for investigation and developing new forms of practice, I have concerns with the environmental performance of building.

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Alejandro Zaera-Polo

This is the definition of the condition of the status of people as consumers versus producers. These developments have drastically affected other industries, but have not yet been effectively incorporated into the discipline of architecture.

This page was last edited on 28 Januaryat July 1— January 2 Zaera-Polo has also had an extensive involvement in education at an international level since For access to motion picture film stills please contact the Film Study Center.

So it kind of goes back and forth, between technical performance or considerations and more theoretical or philosophical considerations. Except for a period of about three years between my retirement at the Berlage Institute and when I started to teach here at Princeton. In other projects Wikimedia Commons.

Alejandro Zaera-Polo — Syracuse Architecture

Architecture has traditionally been one of the main depositories of public-ness. So I became interested again in technology and in the problems of the practice of architecture. He also was part of the United Architects team, one of the finalists in the Ground Zero competition.

How do you see the architectural institutions adapting and responding to this non-spatial cultural phenomenon. December 31, You said it!

Alejandro Zaera-Polo –

To give you an example it will have an ontological, sociological, and political effect—a dramatic political effect, just as social media is having a dramatic effect in the way we inhabit architecture and inhabit cities. Richard Burdett and Deyan Sudjicpublished by Phaidon, and This is a cultural phenomenon.

He has also zawra an advisor to several urban design and development committees, such as the Municipal Quality Commission for Architecture of the City of Barcelona.

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November 22— November 27 If you would like to reproduce text from a MoMA publication or moma.

Can you talk about how your interests changed over time? That was the last experiment that I did here at Princeton in fall and am now continuing.

Then I started to derive questions from that; questions about globalization, about contemporary culture, environmental problems, and also opportunities that may arise from the engagement with the world of social media.

The incorporation of sensors into buildings and objects are dramatically changing the way buildings work or could work.

Please help to improve this article by introducing more precise citations. Earlier in your career you started to write for El Croquisbut since then have shifted your academic interests towards theorizing opportunities in design practice. The experience of architectural practice shifted his critique towards a more pragmatic perspective and addressed to the discussion of the practice of architecture and the analysis of the conditions of production that affect it: This is not something new, but I think now it has become more acute because of the specificity of the moment and the opportunities that are appearing before us in this economy.

February 12 — May 1 This article includes a list of referencesbut its sources remain unclear because it has insufficient inline citations.