Cantiones Duum Vocum (Lassus, Orlande de) See also the separate pages for the individual motets. Copyist, Ferdinand de Lassus (ca–). Te deprecamur largium · Tota die exprobrabant · Tota pulchra es · Twelve Two- Part Motets. Items 1 – 10 of 22 This edition contains all of Lasso’s over motets in twenty-one volumes, with a supplement of indices. It is based on first editions and.
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Hor che la nuova e vaga primavera. His final work was often considered one of his best pieces: Belgian classical composers Renaissance composers births deaths 16th-century Franco-Flemish composers Madrigal composers Pupils of Orlande de Lassus People from Mons Walloon people Belgian male classical composers 16th-century Belgian people Belgian Roman Catholics.
O salutaris hostia Salve Regina a 5 Ut queant laxis. In addition to his traditional imitation masses, he wrote a considerable quantity of missae breves”brief masses”, syllablic short masses meant for brief services for example, on days when Lqssus Albrecht went hunting: For example, his fourth book of madrigals for five voices begins with a complete sestina by Petrarch, continues with two-part sonnetsand concludes with another sestina: MatthewMarkLuke and John.
His renown had spread outside of strictly musical circles, for in Emperor Maximilian II conferred nobility upon him, a rare circumstance for a composer. Technically impressive, they are nevertheless the most conservative part of his output.
Giovanni Gabrieli also possibly studied with him in the s. He is today considered to lsasus the chief representative of the mature polyphonic style of the Franco-Flemish schooland one of the three most famous and influential musicians in Europe at the end of the 16th century the other two being Palestrina and Victoria.
Inclina Domine aurem tuam a 9 Miserere mei a9. Views Read View source View history. Alssus page content is available under the CPDL copyright license ; please see individual editions for their copyright terms.
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Orlande de Lassus – Wikipedia
He then worked as a singer and a composer for Costantino Castrioto in Naples in the early s, and his first works are presumed to date from this time. Most of these he evidently intended for a different audience, since they are considerably different in tone and style from either the chansons or madrigals; in addition, he wrote them later in life, with none appearing untilwhen he was already well-established at Munich.
In the s his health began to decline, and he went to a doctor named Thomas Mermann for treatment of what was called “melancholia hypocondriaca”, but he was still able to compose as well as travel occasionally. However, he stayed there for moyets a year. moetts
He never saw the letter. Si vous estes m’amie.
In he joined the court of Lassux V, Duke of Bavariawho was consciously attempting to create a musical establishment on a par with the major courts in Italy. Other works not listed above See Template: CheckMissing for possible reasons and solutions. As elsewhere, Lassus strives for emotional impact, and uses a variety of texture and care in text-setting towards that end.
Orlando di Lasso – ChoralWiki
He evidently was happy in Munich and decided to settle there. Please help improve this article by adding citations to reliable sources. Retrieved from ” https: In his madrigalsmany of which he wrote during his stay in Rome, his style is clear and concise, and he wrote tunes which were easily memorable; he also “signed” his work by frequently using the word ‘lasso’ and often setting with the sol-fege syllables la-sol, i.
Orlande de Lassus
Three of lasss masses are for double choir, and they may have been influential on the Venetians themselves; after all, Andrea Gabrieli visited Lassus in Munich inand many of Lassus’s works were published in Venice. In other projects Wikimedia Commons. Italian madrigals and French chansons, German and Dutch songs.